old music

Sunday, September 18, 2005

Terry Zwigoff

Terry Zwigoff did most all of that when I sat down with him in the kitchen of his Bernal Heights home in San Francisco in July of 1994. Zwigoff is well informed and holds strong opinions. He’s also funny. A film-maker and musician, he is also an inveterate collector, as a visit to his house makes apparent.
In the kitchen is an old GE monitor-top refrigerator (beautifully restored), a cabinet of obsolete soda pop bottles, and a cloth sack that once held Jug Band Flour, now framed and hanging over the kichen table. In the living room is an over-stuffed couch with matching armchairs, a vintage Mickey Mouse radio, and a stage-prop palm tree that reaches to the ceiling. Hanging nearby is an original oil painting by Enoch Bolles, one of the prime pin-up artists of the 1930s. The walls are decorated with ornate floral wallpaper from the 1920s, unchanged since the house was built. A central hallway is lined with old photos of obscure jazz bands, banjo players, and blues singers. A small office holds an antique display cabinet containing the world’s foremost collection of Valmor products- a line of novelties and cosmetics aimed at black consumers of the 1930s. The music room is dominated by a custom-built shelf containing row after row of 78 rpm records in green or tan sleeves. Vintage musical artifacts are everywhere- rare instruments, photographs, posters, figurines, catalogs and record sleeves. Terry’s girlfriend, Missy Axelrod, lives with him in this house where virtually everything predates World War II.